Jazz in Carthage
Source: www.jazzacarthage.com
Topic: Jazz
Sort Desciption: For its third session, Jazz in Carthage by Tunisiana set out the objective ... Stemming from African America roots, jazz music had been adopted by artists ...
Content Inside: Jazz in Carthage by Tunisiana 3rd Session, April 2007 The coast of Carthage For its third session, Jazz in Carthage by Tunisiana set out the objective of celebrating jazz as a multidimensional and universal mode of expression. Stemming from African America roots, jazz music had been adopted by artists from all regions of the world and adapted to cultures which some times were poles from that of its origins. If jazz is reckoned as a heritage of physical and moral suffering, it is also a hymn to life, which should go on, despite unbearable suffering. An outlet for emotions and endowed with a liberating power, this mode of artistic expression has definitely a therapeutic value. It heals the blues of the soul and reconciles cultures. Through the invention on blues than jazz the black American people has somehow freed itself from slavery, while at the same time marking deeply the history of music Through jazz, racism was fought against, within Africa itself, allowing for example to Abdullah Ibrahim to resist apartheid in South Africa. A great pianist and a great man, he is today an emblematic figure of African jazz who is honouring us by his visit to Carthage. During the present session, the continent of origins will also be represented by Richard Bona, a genius bass player, requested by pop biggest stars but also leader of his own group, through which he endeavours to reinstate to jazz its africanity, while at the same time preserving its universality through groove, R&B and pop influences. One can maintain, with no danger of exagerating, that no other musical genre is as authentically crossed as jazz; this crossing (merging) takes places with no limits or frontiers and most naturally. Thus, Kenny Garret, saxophone virtuoso who toured and recorded with Miles Davis, delivers with his quartet a music which incorporates Chinese music. Between Chinese violin and Tibetan chants, this experience opens up for contemporary jazz, unexpected as much as relevant ho ...
